"She's different in every way." —Dragan Armansky
The beat sidles in: a throbbing arrhythmia peppered by desperate, howling vocals, and then that ooze. That viscid, black ooze that seeps into everything, penetrating crevices, dribbling into lips and eyes, suffocating and sensual and silent. Each ebony form is made osmotic – surging and melding, torn apart and punctured, ensnared, set ablaze – thrashing in the deep. Through flashes of embers and murk, sticky vines creep, hands grapple, foul petals unfurl, and sable fists inflict their fury.
In this elegantly violent title sequence, Trent Reznor, Atticus Ross, and Karen O’s version of “Immigrant Song” swells when coupled with Blur Studio’s monstrous fantasy in David Fincher’s newest offering, The Girl with the Dragon Tattoo.
Read the full The Girl with the Dragon Tattoo article at Art of the Title.
Read the full The Girl with the Dragon Tattoo article at Art of the Title.
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